Technical Application of Superstring Theory

(A study in the contrast of drawing and the ten dimensions)

Abstract

Although the positive sciences have specialized tracks that give each of them its own distinct identity. However, they have points of convergence through which one can sense the influence of one on the other, whether this was done intentionally or through a coincidence that the observer observes. This includes what was shown about the possibility of an aesthetic-scientific overlap between the art of painting and the theory of superstrings of the contemporary thesis. And what constitutes an instigator to conduct this research. Under the title (Artistic Application of Superstring Theory: A Study of Graphic Correspondence and Ten Dimensions). In the course of academic investigation. Beginning with the first chapter on the general framework of the research, in which the research problem, its importance and the need for it were identified, with the research goal represented in (discovering the possible convergence between the art of painting and the concept of the ten cosmic dimensions generated by superstring theory and how to achieve it) and to define its terms. As for the second chapter, it contained a set of titles to theoretically dismantle the subject, which was carried out according to the following sequence (The Physics of the Universe: Between Philosophy and Science / Scientific Enhancement in Superstring Theory / The Ten Dimensions: The New Perception of Existence / What the Ten Cosmic Dimensions Are / The Artist Between the Limits of the Sensible and the Openness of the Imagination) And finally the indicators of the theoretical framework. As for the third chapter, it included research procedures and sample analysis. The study ends in the fourth chapter, which includes the results and conclusions, and the most prominent results are:·           Focusing on the image of the same thing outside the laws of geophysics, and the opportunity to own several images in the manifestation of the same moment. He led towards the evocation of the eighth dimension. Bearing in mind that the artist is not necessarily aware of this, however, any realization of such an artist's imposition will only take place by making this dimension available.·           The approximation based on representation and abstract analogy was the most effective approach to the ninth dimension. This makes the artwork an opportunity for unlimited openness, in conjunction with the absence of restricted assets. And allowing the recipient to launch his imagination however he wants in the perception.